September is in full swing, and unlike the rest of the working world I’m only starting to admit that summer is over. My third and final year has arrived, so here’s a selection of what I’ll be reading across my first semester.
My first module focuses on the First World War – the literature from within it and also the literature that reimagines the war. This seems to cover quite a range of literature, film and TV (of which Downton Abbey’s involvement may have persuaded me to pick this course). It’s interesting to view the literature that covers such a complex time across the century; from the days of post war Britain to the celebrations surrounding the centenary.
Engaging and a little different to the literature I’ve encounter so far is my experimental literature course; more specifically women’s experimental literature. It covers questions on how women’s writing must differ in its position as experimental and the often misconception that only women’s writing can hold feminist concepts. It’s trying to move away from viewing experimental writing as a failure, and instead show how literature can take any form, genre or purpose.
As you can see I’ve got quite a bit of reading to do as the nights begin to draw in, what are you reading this autumn?
How can one begin to even describe the Bard? William Shakespeare is one of, if not the, most influential person of the literary world to walk the earth. He didn’t just give us plays and sonnets, but defined new genres, tested out stories, and produced characters that have remained in the public eye for four-hundred-years.
Yet it is not just literature that he influenced, Shakespeare’s lexicon is incredible, he harnessed the essence of English to produce words and phrases that are vital to the English of today. We couldn’t be ‘tongue-tied’, nor suffer from ‘green-eyed jealousy’, let alone walk down the ‘road’, have a ‘gossip’ or carry some ‘luggage’. Such simple day to day activities would cease to exist; we wouldn’t be able to describe them, to create them; to be a part of them.
Looking simply at what the Bard has contributed to the English language in terms of numbers is certainly remarkable. Out of the 17,677 words he wrote, it is estimated 1,700 of these were created by Shakespeare; he changed nouns into verbs, coined verbs into adjectives, then invented new lexis altogether. This list doesn’t even cover the phrases he assembled. Statistically, Shakespeare has given more to the English language than any other writer, he allowed Middle English to be ‘set free’, to evolve, as it continues to each and every day. He created not only the fundamental aspects of the English language, but through his plays these new words were recorded, written down, and able to be viewed four-hundred-years later. No wonder he has such a fan base.
It is extraordinary to see how Shakespeare influenced our language and impacted literature from his starting point in Elizabeth England. He altered our language and gave us literature for years to come. We have an awful lot to thank you for Bill; when most of us don’t even realise how significant one man can be.
Happy Birthday and Deathday Shakespeare! Here’s to the next 400 years…