manchester · Musical · play · review · The Girls · The Lowry · Theatre · Yorkshire

The Girls

Gary Barlow, Tim Firth and the Calendar Girls credit John Swannell

The Girls held its world premier at The Lowry this week, having seen the West End play a fair few years ago, I was intrigued to see how a new production of the same story would be unleashed. I was pleasantly surprised. The music added a new dimension to the tale; it allowed the characters to express their thoughts and feelings in a deeper sense then words alone can convey. It encapsulated the humour and sadness the story manages to conquer, holding and carrying the story through the music.

Being a Yorkshire girl across the roses border, The Girls made me feel very patriotic to my county, the introductory number Yorkshire, shouting proudly of the dales and fells I call home. It shows the relationship people have with their home, the pride to be a part of the community and desire to belong. It is after all the community spirit alone that triumphs in this story, the daring to stand together, and it’s surprising just what can come out of it.

Gary Barlow, Tim Firth and the original Calendar Girls credit Matt CrockettThere was the expected sad delicate numbers that deal with loss, grief and sometimes the denial of death, beautifully written and projected to the audience. Yet alongside great sadness, comes great joy. The humour brought by Claire Moor as Chris, whipping her bra off on the fell, and the humiliation of our parents every teenager goes through is conveyed expertly by the young actors playing Danny, Tommo and Jenny.

Let alone to how brilliantly the calendar shoot is played by all of ‘The Girls’, it was done in elegance, amusement and humour. Yet, best of all I felt the audience were laughing with the nervous characters on stage, impressed and amazed by the bravery the actors put on show. It was tasteful; it was funny and entertained the whole audience.

Everything from the stage set, the music to the actors was brilliant, it deepened my current understanding of The Calendar Girls story, and proves the bravery and determination of one set of ruthless WI girls. It’s an incredible true story, which only heightens the pressure and exposure of the show, a musical that brings more to life then music and words, a story to be shared.

 

The Girls deserved its standing ovation; make sure to catch this show, while you still can. The Girls is playing at the Lowry until 30th January 2016.

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manchester · music · Musical · performance · review · The Lowry · Theatre · war

The Sound of Music

The_Sound_of_Music nunsThe Sound of Music bounced onto the Lowry’s stage in a musical extravaganza of a show for this Christmas. Filled with the classics of Do Re Me, Edelweiss and Sound of Music the music carried the show and transported the audience back to the 1930s.

Beginning in the Abbey, the nuns were serious and melancholy before being slightly mischievous in How do you solve a problem like Maria. It added a sense of cheer to the rather silent abbey, a distant past to the life Maria had expected to find here. Instead she’s packed off to govern seven Von Trap children and alter the expectations of a strict and repressive father. Music is of course the answer, teaching and guiding the children with her knowledge and love.

It is the love story of war, circumstances and needs, passion and short lives that bring this family together. Happy in the music and surrounding of the mountains, their perfect life becomes shattered by war.

For me, the Sound of music was at times a little too cheery in its portrayal, even in the shadow of war the characters continue with their music and life without care. Even the finale of their escape is rather modest, without much suspense or determination. I would have liked to see a slight twit in the portrayal of the story, something new and raw that could have been brought to the production. Yet the audience seemed spell bound, even singing along in places, it was the tale they expected and the tale they clearly wanted to see.

The Sound of Music is at The Lowry until the 2nd January 2016.