Of course, Elenor Oliphant is not completely fine.
Honeyman’s debut novel demonstrates the behaviour of just-about coping. An existence of life certainly, but Elenor isn’t living. Instead, she simply goes through the motions. Flat, check. Work in an office 9-5, check. Down 2 litres of vodka every weekend, check.
One thing we cannot escape is just how lonely Elenor is, she leaves work on Friday and doesn’t speak to a single soul until Monday morning. She’s not just living alone, she expects to stay alone. She doesn’t understand the social interactions, she finds small talk pointless and she most certainly, doesn’t get involved in office politics; but that doesn’t mean she can’t be sociable.
All it takes is for an unexpected friendly encounter, a twist in Elenor’s otherwise predictable routine to change not only her perception of life but her way of living. We follow Elenor along this path and her journey towards friendship. She may be a character with troubles and torments, but she’s also warm and surprisingly funny.
With a few twists along the way, this book gripped me from start to finish. I flew through it in under a week, and pondered over the characters for even longer.
Occasionally you can stumble upon a book that stops you in your tracks, a novel that makes you think. Matt Haig’s How To Stop Time did just that.
Haig elegantly mixes history and fiction, allowing our protagonist, Tom, to struggle with the wisdom 400 years on earth has tormented him with. It breaks down the human traits we recognise, and weaves them throughout history.
Tom Hazard was born in the late 16th century, yet he’s still alive in 21st century London. His many lifetimes span generations, from playing with Shakespeare and The King’s Men to life in 1920’s Paris. He joins Captain Cook on The Endeavour but it is the search for his daughter that truly keeps him alive.
There are large periods of Tom’s life where he is surviving. He is disjointed from the world, living his life in the shadows; neither connected to a person or a place. It’s a hard way to live and a lonely life too. But that can change with one person, a single piece of hope to carry you through the hard days. At the end of the day it’s our relationships with others that makes life worth living. Our shared experiences and in turn our shared history. A connection, a memory and a desire to live.
Beautifully written, this is book everyone should read.
Colson Whitehead’s tale is one of persistence and bravery. The Underground Railroad follows Cora, a slave from Georgia born into a life of suffering and the desire to escape to freedom.
As introductions go, Cora comes from a line of strong women, her grandmother Ajarry, stolen from her West African village, ferociously protective of her three-foot patch of earth, and her mother Mable, the only slave who has successfully escaped the plantation. When Cora is asked to escape with Caesar, part good luck charm, part companionship – the tale begins with the first trip on the underground railroad.
The journey continues to be one of suffering, small glimpses of hope and a chance of freedom — but the life of a slave can never truly be free. Hunted out by the renowned slave catcher Ridgeway, Cora may at times be physically free, but her time as a slave will forever haunt her. Aided by non-believers of the enslavement regime, the underground railroad becomes a symbol of hope, of kindness and most importantly the opportunity of freedom -— it’s a long ride to take.
An incredible tale of desire and truth, of raising the coloured question when the coloured question was at its most dangerous. It shows the strength of slaves and abolitionists alike, in a quest for freedom that can still be felt today.
Margret Atwood introduces her Shakespearean spin-off in this clever tale; beautifully captivating the strength and hope of human life.
We begin with the Felix putting on The Tempest at a Canadian theatre festival, but things quickly don’t go to plan. While he is ousted by a colleague he goes off the grid for a quiet life, plotting revenge as he goes. His own daughter, Miranda, echoed as a ghost in his small abode follows him as he begins to work under a pseudonym.
The story opens out into a tale of hope, of humans pushed to the edge as Felix begins a production of the Tempest inside a correctional facility. Inspiring the inmates to put on the show in time for a visit from his previous colleague Tony. A slice of revenge served twelve years later… what could possibly go wrong?
A clever portrayal of human emotions wrapped around one of Shakespeare’s famous plays, it’s certainly one to read.
We are surrounded by love stories before we even learn to read; fairy tales and Disney princesses condition our expectations of true love. It’s an emotion that influences every tale, evert text and narrative as we try to define this complex emotion.
Erich Segal’s Love Story is an American classic, Jenny and Oliver are an unsurprising couple brought together from two different paths in life. But the power of love is something that is beyond human comprehension. It’s a tale of love and loss; of gaining parental approval and choosing your own way in life.
There is something in Segal’s writing that manages to capture the character’s depth across the short tale. The writing is at times brutally honest in its depiction of the unfair problems of life, but also the moments of pure happiness are intertwined with more romantic prose.
If you’re looking for a short novel for an upcoming summer holiday — this is certainly one to read.
This novel is an incredible depiction of friendship; of differences and similarities, competition and support. It begins in London at a dance class where two girls come together through their aspiration to be dancers and similarities in skin colour.
It’s a bold book that covers race and class, poverty and the rich, mixing each world together with tremendous ease. Smith captures the unique pull of Africa, the sense of community and spirit that embodies the narrative, in contrast to the bright lights of New York and London. There’s a feeling of authenticity in her writing, a world totally believable and accessible to anyone who opens the page.
The novel is able to explore friendship with accuracy, something that not many narratives tackle. It’s a relationship that is often tried and tested, and the separation that follows is difficult to overcome; when two very different paths are chosen, it’s hard for them to merge together once more.
This may have been the first Zadie Smith novel I’ve read, but it certainly won’t be the last.
Having been encapsulated with Emma Donoghue’s writing since reading Room, a must if you’re yet to read this masterpiece. The Wonder takes us on an altogether different journey, one of mystery, religion, and a suspected lie.
We move back to the 19th century across the Irish Sea with Lib, a Nightingale Nurse, who has been chosen to watch the miracle of the fasting girl. Suspicion is clear from the beginning of this tale. It’s not possible to live without food, certainly not to have survived four months on a daily spoonful of water.
Through Donoghue’s writing we become absorbed in the small Irish village life, and a mystery that seems impossible to discover. Lib’s matter-of-fact mannerism allows her narration to appear honest, as she tries to make this miraculous girl eat again. It’s a tale that puts belief and religion into the structure of this girl’s world, unearthing additional secrets at each turn.
Based upon the stories of the real fasting girls dotted throughout Irish history, this novel brings together the moral questions and desire for forgiveness that will cross most of our paths. It shows that things are never truly what they seem, life is full of secrets.
It’s certainly an intriguing read.