London · Musical · review · The Book of Mormon · Theatre · West End

The Book of Mormon

I’ve wanted to see the Book of Mormon for quite a little while now, it’s a musical that I know very little about. Although it’s been in London’s West End for four years, it’s managed to keep its plot fairly secret if you don’t go looking too closely.

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Although I’ve stood in line for the lottery on two different occasions, failing each time to be the lucky one, I finally booked tickets for the show. It was certainly well worth the wait.

The show is a spectacular twist of comedy and musical – combining the very best of both. I’ve never laughed so hard while being sat in the stalls, and briefly I think even the actors corpsed on stage. Occasionally when at the theatre, you have an audience that heightens every emotion of the show, we laughed together, gasped in shock together, and stood together for a well-deserved standing ovation. It certainly added to the atmosphere and in response the actors put on a brilliant show.

The songs are incredible, brilliantly slotted into the plot of the musical. There are unexpected moments around every corner as the plot twists and turns at every opportunity. A hilarious and clever production.

 

 

fiction · Harry Potter · literature · London · performance · review · Theatre · West End

Harry Potter and the Cursed Child

Harry Potter and the Cursed Child has claimed its place as the play of the year — it is quite simply magic.

hp-the-trioI am more than happy to admit that I am a Potterhead, I’ve read the books more times than I can count, watched the films; I’ve been to the studio, the wizarding world in Orlando, and most of the UK film locations too. So of course, I found myself online last year waiting patiently in the queue for tickets of J.K.Rowlings eighth story.

Wow, just wow, it was worth the wait.

From the emergence of familiar faces, characters we’ve seen grow up to the new; Albus and Scorpius create a duo based on strong friendship and a desire for justice. It’s a story that holds parallels to the series, that of bravery and friendship but also unexpected twists and turns. We return to some of the most memorable times of Harry’s world, in a totally new light, exploring the manner in which Harry, Ron and Hermione fight with the past. But this is truly a tale of Albus and Scorpius and a lesson on magic’s restrictions in today’s world. Albus’ determination mirrors Harry’s own adventures of bravery, and at times disobedience, with one of times biggest lessons to learn.

The theatrical side of this production is really where the play outshone. I’ve never witnessed such clever incorporations of dance, choreography and scene changes — allowing the story to flow continuously.

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Yet it is the magic of the show that takes centre stage, perhaps it’s the magic of theatre, the belief of the audience or the Harry Potter world the audience knows and loves. Spells from the good-old expelliarmus, to duels between Harry and Draco were dotted through the performance. My favourites included the use of polyjuice position, I still don’t understand how it happened on stage, to transporting into the Ministry of Magic in the famous red telephone box, and of course the use of floo power. Magic as I have never seen albus-and-scorpiusit before.

Writing about a show can never do it justice, especially a play embedded with magic from start to finish. Sam Clemmett captures Albus’ attributes perfectly, his sidekick Scorpius, Anthony Boyle, and their friendship is one of the strongest I have ever seen on stage. The golden trio are, of course, perfectly cast and captured. A production that shines with talent.

I laughed, I cried and I wanted to head straight back in for more. This was a most magical experience, brilliantly portrayed on stage — the perfect extension to Harry’s story.

Harry Potter and the Cursed Child is playing at The Palace Theatre, London – currently sold out until 2017 (with more tickets coming soon!). You can read about my ponderings of the play, and other Potter reviews here.

Finding Neverland · Harry Potter · London · Musical · play · Preview · The Girls · Theatre · West End

Looking Forward to the West End

As Harry Potter and the Cursed Child begins to hold previews this week, it’s time to look forward to the plays and musicals that are soon to open.

cursed-child-palace-theaterI managed to gain Harry Potter and the Cursed Child tickets back in October, although I’ve still got five months until I see the play in November, the recent photo releases have certainly intrigued me. The world has been waiting for the next Potter instalment for nine years, and I am certainly excited to see what Harry has been up to. We will re-visit the magical world once again, it’s almost like going back home. The two-part play will be a first for me, an insight into splitting the story in two – but a whole day at the theatre can only be a good thing.

FindingNeverland0040_Rev02-OBC-1024x683Next on my list is Finding Neverland, I fell in love with the story, the music and the characters when I saw the original broadway cast in the Lunt-Fontanne theatre, New York. Thankfully, they’re flying the show over to London, landing in January 2017. I’m looking forward to re-emerging myself into the story of how Peter become Pan, a story within a story, full of life, laughter and sorrow.

Finally, Gary Barlow’s The Girls is ready to make it’s West End debut in 2017. Having seen The Girls premiere in The Lowry, Manchester; the musical was one destined for London’s stage. It’s depiction of Yorkshire was amusingly realistic, and the songs full of humour and heartache. It’s a musical to make you laugh and cry.

So I have a few theatre trips to plan, and many more plays to review this autumn and winter. Are there any new play you’re looking forward to?

London · Musical · Phantom of the Opera · review · Theatre · West End

The Phantom of the Opera

The first May bank holiday arrived, and with the sun shining, I headed to London for the long weekend and, of course, a musical.

Phantom - boatCurrently in its 30th year, phantom had been scaring the stage and keeping the audience on their toes in critical acclaim. It’s been a musical I’ve been waiting to see for a while. Full of suspense and the power of music. Yet I was surprised by the many stories told within this tale. The original opera working in parallel to the Phantom’s own musical. It’s an incredible act of story telling. While simultaneously creating a range of emotions which take the audience through this journey.

Further to this, the elaborate staging enhanced the story line, the boat through the Phantom’s later was incredible to watch, a space full of suspense, appeared intimate despite the full house. Let alone the many secrets spaces the Phantom himself managed to hide within, taking me by surprise each time.

It was a breathtaking experience, the incredible cast and music kept the audience spell-bound throughout. It made me wish, once again, that I could somehow be apart of this theatre world, but we’ll just have to see what time will bring.

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The Phantom of the Opera is playing at Her Majesty’s Theatre, this classic is not to be missed.

Broadway · exhibitions · London · Musical · play · review · Theatre · West End

Curtain Up at the V&A

IMG_6145As the Olivier Awards turn 40, the V&A has created an exhibition exploring the last four decades of theatre, plays and musicals on West End and Broadway. It was evident I needed to go and have a look.

Featuring backstage details, first scripts, notes and editorial requests, I felt as though I was getting a small glimpse into the hidden side of theatre. The exhibition held design plans, amazingly scaled model boxes, costume designs and even lightening plans, it shows just how much work is required to begin the staging process, let alone the ongoing work once a production has started.

There were interactive elements, allowing you to arrange the sound of Hairspray, balancing the singers and musicians alike. Equally a lighting deck presented the many spotlights and various coordination of lighting available to the light managers each evening. It showcased the work required for each production to even exist, the detail of plans and notes to ensure each show is perfect.

I also learned a lot more of the world of theatre, various facts and figures were presented across the exhibition, showing the difference between West End and Broadway productions but also the similarities and incredible records some productions held to their name.

IMG_6147It was great to see the set and costume designs for one of my favourite shows: Matilda, to see the essence of the character in each sketch and the grand scale of the stage. Alongside stepping into the stage of The Curious Incident of the Dog in the Night-Time, allowing you to feel the confusion Christopher goes through on stage.

If you’re around London and a theatre fan, it’s an exhibition not to be missed. The exhibition is at the V&A until 31st August before it moves to New York.

Broadway · Musical · play · review · Theatre · West End

A summer of theatre

ProgrammesAlthough autumn has now crept its way to us, I wanted to revisit my summer of theatre. From London’s West End to New York’s Broadway, I’ve had the privilege of seeing some wonderful plays and musicals over the last few months.

I began with a revisit to a show I’ve already written about, Matilda the Musical stayed with me for weeks as I relived the songs and cunning struggle Matilda herself portrayed. It was equally energetic, thrilling and fast paced – a delight even more so the second time round.

MEMPHISMemphis had been recommended to me on numerous occasions, and it more then lived up to its name. A fresh and uplifting portrayal of race-ridden America, where inequalities are fought against, race is questions and Huey goes against all odds and expectations. Currently staring Beverly Knight and Matt Cradle their powerful voices carried the performance in their fight for justice – an incredible performance.

Next on my list was The Railway Children, currently set at Kings Cross station. The story remained as it has for years, simple and spell-binding, with the stage and steam train standing out as the highlight of this production. It was clever and self-aware, leaving the steam train to take central stage, physically and metaphorically.

GypsyI was also lucky enough to see Gypsy, starring Imelda Staunton, who triumphed in her role as Momma Rose. Her determination and power made for one of the strongest characters on stage, with such an outstanding cast the performance was mesmerising, covering themes of love, jealousy, rebellion and determination.

Finding NeverlandMoving across the pond, my very first Broadway show was the phenomenal Finding Neverland, this musical has stayed with me over the last month, as I play the soundtrack on repeat. I loved the storyline, the clever twist of incorporating the well-known tale of Peter Pan to J.M. Barrie’s own thoughts. The cast were brilliant, the songs and lyrics clever, lively and touching. It may well have over taken Matilda in my favourite musical, and that’s a hard feat to beat.

On a very different scale, Kinky Boots tackled much harder themes, gender, sexuality as we identify who we are. The set and use of stage adapted for each scene, the boots were kinky and the cast, especially Lola, impressive. It was a great adaptation, and not surprisingly now appearing in London’s West End.

HamletFinishing off my theatre trip was a play I’ve long been anticipating, Hamlet; having bought tickets over a year ago, it was finally time to see Benedict Cumberbatch in his lead role. As a fan of both Shakespeare and Cumberbatch, the play was always on my wish list, and lived up to its name. I found it easier to follow then any previous Shakespeare I’ve viewed, it was funny and dark- everything required by a tragedy. Cumberbatch was phenomenal in his role, passionate and moving; everything Hamlet should be.

Now my next challenge is to fill autumn with trips to Manchester’s theatres…

London · Matilda · Musical · West End

Matilda the Musical

When I was taken to see Matilda the Musical at the end of last year, I’ll admit I was expecting something similar to the film from my childhood.

I couldn’t have been more wrong.

MatildaFrom the very start I fell in love with the music, the lyrics, the actors and of course little Matilda. The show moved at such a fast pace, the audience were transported to Matilda’s brilliant brain and her naughty temptations. It permitted us to reach out, become petrified of Miss Trunchball; become as mischievous as Matilda and fight for the chance to be a little bit naughty.

So it seemed the logical thing to visit the show again and be spell bound in Roald Dahl’s imagination. It was even better second time around. I knew the songs, I understood the story and because of all of this I was able to focus on smaller things, to really listen out for some fabulous lyrics, spot clever set designs and incredible acting.

MatildaThe show portrays the very best aspects of childhood, when we dreamed of eating sweets on our way to work or watching cartoons until our eyes went square. But now that I can, it just doesn’t have the same appeal. The only advantage is I don’t have a teacher like Miss Trunchball nor Parents like the Wormwoods, for that I count myself very lucky.

Matilda was outstanding, with that one little girl stealing the show. Its the cleverness of the choreography, the lyrics and of course the acting that makes this play stand out from the rest.

Matilda the Musical is playing at the Cambridge Theatre, London.